
3 Watts
Black Tolex Covering
EL84 Powered
Great Clean and Screaming Overdrive!
1 10" Eminence Lil' Buddy Speaker
Gorgeous Cabinet Design
Alder Body
Maple Neck with Satin Finish
Indian Rosewood Fingerboard
Grosh Fat 60's Single Coil Pickups
Wilkinson Vintage Tremolo
Mary Kay Daphne Blue Satin Nitrocellulose Finish
Alder Body
Maple Neck with Aged Satin Finish
Brazilian Rosewood Fingerboard
Fralin S/S/H Pickups
Gotoh Tremolo
Inca Silver Metallic Finish
Indian Rosewood Laminate Back / Sides
Grand Auditorium Body
Sitka Spruce Top
Ebony Fingerboard
Taylor ES-T Expression System
Natural Satin Finish
Ovangkol Back & Sides
Grand Auditorium Body w/ Venetian Cutaway
Sitka Spruce Top
Ebony Fingerboard
Taylor ES Expression System
Natural Finish
Semi-Holow Sapele Body
Bolt on Sapele Neck
Ovangkol Top
Ebony Fingerboard
Taylor T5 Electronics
Natural Satin Finish
Hollow 2-Piece Cherry Body
Gorgeous Flamed Redwood Top
Set Maple Neck
Lined Macassar Ebony Fingerboard
Nordstrand Fat Stack Pickup
Natural Thin Nitrocellulose Finish
Hand Made In Connecticut!
Alder Body
Maple Neck with Satin Finish
Indian Rosewood Fingerboard
Grosh Fat 60's Single Coil Pickups
Wilkinson Vintage Tremolo
Aged White Satin Nitrocellulose Finish
Through a 4X12 cab it has more than enough gas for all but the largest gigs, and the half power and boost functions allow for rich tube tone for the most intimate settings. Like serenading an undercover double agent named Maria behind enemy lines perhaps? No worries! The VIC105 will inspire to conspire in all of your aural espionage needs!
20 Watts All Tube
Laquered Tweed Covering
6V6 Powered (Switchable to 6L6 or EL-34 with NO Biasing)
Master Volume w/ Bypass Switch
Tube Tremolo and Reverb
Impedance Selection w/ 2 Speaker Outs
The Titan's triumvirate of time tantalizers allows you to create an array of truly unique and original delay sounds. Voiced for the ultimate analog styled sound, the Titan provides three 800m/sec delays.
We use the classic analog delay compander to ensure the ultimate recreation of an analog flavored delay, which works hand in hand with our more contemporary delay engines.
Add to all of this a modulation loop on the first delay plus all the other goodies you would normally expect from the Red Witch delay and you'll be delaying to your hearts content in no time flat, flat, flat, flat, no time flat, flat, flat, flat, no time flat, flat, flat, hearts content in no time flat, flat, no time flat, flat, flat, flat, no time flat, flat, flat, hearts content in no time flat, flat.
Mmmmmmmmm. Unique tones………………………………………!
Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.
* Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.
* Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.
* Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.
Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the center. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.
* Left Stomp - This foot switch bypasses or activates the pedal. The Arcane Preamp is wired true bypass, so it won't affect your tone when disengaged. When engaged the blue LED on the left side will be lit.
* Right Stomp - This foot switch selects the channel. The indicator for the channel select is under the fuzz channel tone controls. The LED will be lit when fuzz channel is active.
* Boost Gain - The leftmost knob controls the gain of the boost channel. This will add a bit of sparkle and clean gain at medium levels. Crank it to get soft clipping and lots of volume.
* Boost Level - This controls the output of the boost channel, setting ratios of the gain and level will allow more gain and overdrive without too much level. Or medium gain and maxed level for a big clean boost.
* Fuzz Gain - When the fuzz channel is engaged, it follows the boost channel. This knob takes the output of the boost and adjusts the level going into the fuzz. This channel has a boatload of gain. Low to medium levels provide touch sensitive distortion, crank it much past half and it starts to crunch. The fuzz channel can provide killer sounding feedback.
Bass, Mids, Treble - The amp style tone stack is broken into three bands. Use it to sculpt your fuzz tone. The treble control is very sensitive around the middle with a ton of variation in sound.
* Fuzz Level - Since the tone stack is all passive, the stack feeds a final amplifier which puts out a ton of level. Use this to level your fuzz tone with the boost tone or to drive your amp's input stage to hell.
Features:
* Fat & Warm Pure Analog Circuitry
* 12 Filter Frequency Ranges
* Tweakable Filter Feedback
* LP/BP/HP Filter Modes
* Reverse Sweep
* Tweakable Attack Speed
* .07 to 8 Hz Tri/Square LFO
* CV/Expression Pedal Input
* CV/LFO blendable with envelope
* RGB LED shows ENV and LFO
* Wet/Dry blend in or out of phase
* Epoxy paint base and silkscreen
* Standard 9V Power Jack
* Killer Sound Quality - The Signal to Noise ratio is around 105dB.
* 2.8 Seconds of Delay Time - For your extra long delays.
* 8 modes - normal, tap, autoset (delay time is set by tempo played), reverse, rhythm mode (multitap), tape mode, misc (dynamic, gate), and 12 second looper.
* Expression Pedal Input - allows you to control either mix or feedback with your foot.
* High Pass/Low Pass Filter - high pass is good for electronic music, low pass is sweet for darker analog delay type sounds.
* Fast/Slow Modulation - slow adds extra texture, fast is a little crazy.
* 8 Presets - Settings can be saved to 8 presets. With three stompswitches, accessing the presets is easy.
* Pristine Sound - The Empress Tremolo has to be heard to be believed. It's whisper quiet and free from the "LFO throb" usually associated with tremolos. We dare anyone to find a better sounding tremolo.
* Waveform Selection - You can modulate your sound with three different waveforms. An asymmetrical tremolo was modelled after a '65 Fender Vibrolux (brown face) to give you the fullest tremolo sound possible. A square wave can be utilized if you're after a harder sound. And if you're looking for a more normal tremolo, you can use the triangle wave setting.
* Tap Tempo - The Empress Trem averages your last four taps so it plays in sync with your music. You can also choose different tap to tremolo rate ratios. 1:1, 1:2, and 1:4 are available.
* Two Speed Mode - An exclusive feature to the Empress Trem. You're able to set two different rates, and switch between them using the tap tempo stompswitch. This is similar to playing through a Leslie cabinet and changing the speed.
* Rhythms - Another exclusive feature. The Empress Trem will definiately do your run-of-the-mill tremolo sound to a tee. But you can also set it to play different rhythms. Check out the soundclips for examples.
* Gain - A problem with most tremolos on the market is that when they're engaged, you hear a noticeable drop in volume. The Empress Trem solves this by having a gain stage on the output. It's able to deliver up to 6dB of gain without adding any distortion to the signal.
* Ultra Transparent Sweet Sounding EQ – enhance your sound without masking the tone of your instrument.
* Lots of Control - with switchable q, fully over-lapping sweepable frequency selection, and 15dB of cut and boost you’ll get all the control you need.
* Ultra-Quiet – You’ve come to expect our pedals to be noise free and we’ve delivered once again. If you put this at the front of your chain and boost a bit you’ll also cut down on the noise your other pedals are introducing.
* Loads of Headroom - Internally switchable to run off 9/12/18V power supplies.
* 30dB of Boost - making it an ideal candidate before long effects chains and overdriving tube amps.
* Pristine Clean Sound – We measured the distortion to be less than 0.03%. Pretty remarkable for a guitar pedal.
Semi-Hollow Honduran Mahogany Body
Curly Flame Maple Top w/ F-Holes
Set Flame Maple Neck
Bloodwood Fingerboard w/ Purpleheart Binding
Dimarzio Pickups
Gorgeous Sunburst Finish
Hand Made In Connecticut!
Swamp Ash Body w/ Alder Wings
Curly Flame Maple Top
Graphite Reinforced Bolt on Maple Neck
Birdseye Maple Fingerboard
Bartolini and Dimarzio Pickups
Transparent Blue Finish
Hand Made In Connecticut!
The onboard 7-band graphic equalizer and dual drive controls provide virtually endless tone manipulation possibilities. Save your customized tones in 6 programmable user preset stations, available for speedy recall via three footswitches. An expression pedal input allows for seamless morphing from one user preset to another.The Pro Classic also includes a MIDI input allowing external access to presets and parameters, and is Hot Hand® ready for even more expressive capabilities.
Unlike other products, which attempt to digitally clone, model or emulate vintage gear, the organic tones of the Soundblox Pro Classic Distortion are the result of a five-year listening study and iterative algorithm design process involving over 40 classic pedals and extensive artist evaluation.
What makes the Multiwave unique is its ability to distort a signal with either multi-band or single band processing. Multi-band processing splits the signal into several distinct frequencies, distorts them separately, and recombines them for the final outputted signal. The effect is a clear distortion with sturdy attack and great note articulation. Single band processing employs a more conventional approach by applying distortion to the entire signal. The result is a familiar but equally expressive set of guitar tones. The processing categories are further broken down into three subcategories, ranging from “normal”, for a somewhat traditional distortion curve, to extreme “foldback” and “octave” settings, for more aggressive and synth-like distortion tones.
The onboard 7-band graphic equalizer with a 12 dB adjustment range in both directions provides serious tone manipulation capabilities. Plus, customized tones can be saved in the 6 programmable user preset stations, available for speedy recall via three footswitches.
The Pro also includes a MIDI input allowing external access to presets and parameters, and is Hot Hand® ready for even more expressive capabilities.
Users have access to 23 modern and distinctive distortions and an additional clean boost/EQ mode. Distortion curve types range from “normal” overdrive for traditional sounds to “foldback” and “octave” for more aggressive synth-like tones. Each distortion type is further customizable via the 7-band equalizer, drive control, and separate mix knobs for clean and distorted signals. This advanced sound control alleviates the tendency for low-end reduction associated with most bass effects.
Six user presets, accessible via three footswitches, assist in the speedy recall of any custom tailored sound, and a traditional expression pedal input facilitates the seamless morphing from one user preset to another. A MIDI input allows external access to presets and parameters, and, as with all Soundblox products, it is compatible with the Hot Hand ring controller.
Users have access to 23 distinct and modern sounding distortions that go far beyond traditional sounds. They range from “normal”, for a somewhat traditional distortion curve, to extreme “foldback” and “octave” settings for more aggressive and synth-like tones. Each distortion type is further customizable via the drive control, and separate clean and distorted level knobs. This advanced sound control alleviates the tendency for low-end reduction associated with most bass distortion units.
The Multiwave Bass is also compatible with the Hot Hand® motion controller, adding even more expressive possibilities.
Mint Condition
Semi-Hollow Maple Body
Mahogany Neck and Rosewood Fingerboard w/ Pearloid Bar Inlays
Gibson Classic '57 Humbuckers
Original Hardshell Case Inluded
Vintage Sunburst Finish
Alder Body
Maple Neck with Aged Satin Finish
Indian Rosewood Fingerboard
2 Grosh G-90 Soapbar Pickups
Gotoh Tremolo
Black Mini Sparkle Finish
Mint Condition!
Bolt on Maple Neck w/ Brazilian Rosewood Fingberboard
Alder Body
Lindy Fralin P/J Pickups
Ice Blue Metallic Finish
Original Lightweight Hardshell Case Included
Alder Body
Maple Neck with Aged Satin Finish
Indian Rosewood Fingerboard (Great figuring!)
3 Grosh G-90 Soapbar Pickups
Gotoh Tremolo
Shoreline Gold Metallic Finish
OM Style Body
Mahogany Neck
Ebony Fingerboard
Solid Indian Rosewood Back and Sides
Aged Sitka Spruce Top
Gloss Finish
Deluxe Hardshell Case Included
Dreadnought Body w/ Cutaway
Mahogany Neck
Ebony Fingerboard
Solid Indian Rosewood Back and Sides
Sitka Spruce Top
Natural Gloss Finish
Deluxe Hardshell Case Included
2010 NAMM Show Bas
Poplar Burl and Spalted Flame Maple Top
Swamp Ash Body w/ 3-Piece Flame Maple Neck
Ebony Fingerboard w/ WYNN Inlay
Multi-Color High Gloss Finish
Hardshell Case Included
Alder Body
Carbon Fiber Neck w/ Compound Radius Composite Fingerboard
Gloss Neck Finish
Hipshot Bridge and Tuners
Bartolini Soapbar Pickup
Gloss Grey Finish
Alder Body
Carbon Fiber Neck w/ Compound Radius Composite Fingerboard
Satin Neck Finish
Hipshot Bridge and Tuners
Bartolini Soapbar Pickup
Gloss Grey Finish
Poplar Burl Top
Alder Body
Graphite Reinforced 3-Piece Maple Neck
EMG-DC Active Humbucker Pickups
Spector TonePump Preamp Circuit
Natural High Gloss Finish
10/45/90 Selectable Wattage
Finger Joined Private Reserve Flame Walnut Cabinet
Hand Signed By Randall Smith - #69/75 Worldwide!
Inlaid Paua Abalone and Mother of Pearl Mesa Boogie Logo
1 12" Mesa Boogie Speaker
Amazing Looks and Tone - True Collectors Item
Mint Condition
50 Watts Class A-B
Laquered Tweed Cabinet
6L6 Powered
2 12" Celestion G12 Speakers
3-Piece Figured Maple and Walnut Body
24-Fret Bubinga Fingerboard
5-Piece Maple/Wenge/Purpleheart Neck
Lane Poor Humbucker Pickup
Natural Oil Finish
Hand Made In Connecticut!
"Swell" function adds high-end gain and harmonics and becomes dynamic-compressive at high gain. At full gain this effect can often sound like a slowly moving EQ (dark to bright) triggered each time you strike the strings. Absolutely superb for slow bends.
Side-adjust voltage pot can be adjusted with a pick to drop voltage and sag the entire circuit itself. In subtle use it can be used to lighlty compress the treble side of the fuzz. In extreme the pedal can become almost gated and unpredictable.
Devistating fuzz or convincing subtlety, enjoy.
Gain that will make you smile, unless you hate robots.
Voice knob creates a low-end off with thick and massive low end that slowly rolls back off and reveals screaming highs and mids.
Multiple Op-Amp chips will soon be available to try in this circuit contact us for more info.
Sounds even better coming off a wall of 4x12s.
The Octamizer™ features independent volume controls for both the "Clean" and "Octave" sounds, so dialing in the exact amount of each is a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities.
The "Clean Tone" control uses a Full Spectrum Tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.
The Octamizer's "Octave Filter" control is a multipole low-pass Filter that lets you shape the octave sound from smooth and deep to edgy and aggressive.
500 Watts Class D Power
2 12ax7 Preamp Tubes
XLR DI Output
Huge Power and Tone in a Tiny Portable Package
Includes Padded GigBag
30 Watts of Power
2 Channels (Fat and Tiny Terror)
EL 84 Powered
Selectable Wattage (30/15/7 watts)
Padded Gigbag Included
We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings.
Housed in a small 3.5"x 1.5" x 1.5" case with blue LED and transparent knob, the EP Booster can be powered by 9-volt up to 18-volts.
A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players.
Jimi Hendrix and Eric Clapton used a Vox "Clyde McCoy" model wah wah. Photos taken during the recording of "Electric Ladyland" document Jimi's as being the "signature" model, featuring Clyde McCoy's name written out script style on the bottomplate. The other type of Clyde McCoy was the "picture" version, which had Clyde's photo on the bottomplate. The "signature" model, with it's great sounding "halo" inductor, is what the Fulltone CLYDE is modelled after.
The Fulltone"CLYDE" was born from taking the best of the best of my more than 25 pc. vintage Vox wah collection, and analyzing every aspect... going so far as sacrificing a few of the vintage inductors to get it right.
Our Inductor is a tuned core hand-made unit using EXACTLY the same type wire and inductance as the '60's era Vox, except VERY consistent from one unit to the next. A tuned core inductor is much more expensive to make, but the end result is worth it, drop this into your wah and Experience the difference!
Alder Body
Stunning Quilt Maple Top
Carbon Fiber Neck w/ Satin Finish
Composite Fingerboard w/ Compound Radius
Bartolini Pickups and Preamp
Vintage Burst Finish
Spalted Quilt Maple Top w/ Wenge Center Wedge
Wenge Fingerboard w/ Wood 12th Fret Inlay
Swamp Ash Body
3-Piece Maple & Purpleheart Neck
Bartolini Pickups and Preamp
Hardshell Case Included
Maple Neck and Fingerboard
Swamp Ash Body
Bartolini 18v Preamp and Pickups
Hipshot Bridge and Tuners
Transparent Red Finish
Roscoe Gigbag Included
20 Watts
Laquered Tweed Covering
6V6 Powered
1 12" Mojo Tone Speaker
Tube Tremolo and Reverb
5 Watts
Laquered Tweed Covering
6V6 Powered
Tube Reverb
1 12" Mojo Tone Speaker
Amazing Tube Breakup Overdrive
5 Watts
Laquered Tweed Covering - Dark Tweed Version
6V6 Powered
1 8" Weber Speaker
Same Great Tone, Classy Dark Tweed Covering!
Chambered Walnut Body
Walnut Neck w/ Carbon Fiber Reinforcements
24-Fret Wenge Fingerboard
Novax Fanned-Frets
Stunning Quilted Bubinga X-Top w/ F-Hole
Dingwall FD Pickups w/ Glockenlang 2 Band Preamp
Hand Carved Cocobolo Top
Birdseye Maple Fingerboard w/ Cocobolo Inlay
Spanish Cedar Body
3-Piece Maple & Purpleheart Neck
Bartolini Pickups and Preamp
Hardshell Case Included
15 Watts Class A Power
Point-to-Point Hand Wired Version (Hard Wired)
EL 84 Powered
Hand Made in the UK!
Leather Padded Gigbag Included
Swamp Ash Body
Cocobolo Fingerboard
Maple and Purpleheart Wedge Neck
Exhibition Grade Boxelder Burl Top
Bartolini Pickups and Preamp
Hardshell Case Included
Semi-Hollow Swamp Ash Body w/ F-Hole
Maple Neck w/ Gun Oil Tint
Extra Large MFD Single Coil Pickups
Rosewood Fingerboard w/ Mother of Pearl Dot Inlays
Honey Transparent Finish
Hardshell Case Included
Semi-Hollow Swamp Ash Body
Maple Neck w/ Gun Oil Tint
Seymour Duncan Seth Lover Humbucker
Rosewood Fingerboard w/ Mother of Pearl Dot Inlays
Blonde Transparent Finish
Hardshell Case Included
Mahogany Body
Maple Neck & Rosewood Fingerboard w/ Gun Oil Tint
Premium Flame Maple Top
Seymour Duncan Humbuckers
Natural Finish
Hardshell Case Included
Alder Body
Quartersawn Maple Neck w/ Nitrocellulose Gun Oil Tint
Rosewood Fingerboard
Aged Hardware
Lake Placid Blue Nitrocellulose Finish
Deluxe G&G Hardshell Case Included
Swamp Ash Body
Quartersawn Maple Neck w/ Nitrocellulose Gun Oil Tint
Maple Fingerboard
Aged Hardware
Butterscotch Blonde Nitrocellulose Finish
Deluxe G&G Hardshell Case Included
3-Piece Maple Neck
24 Fret Rosewood Fingerboard
Swamp Ash Body
Bartolini 18v Preamp and Pickups
Tobacco Sunburst Finish
Roscoe Gigbag Included
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