
With this newly revised version of our highly acclaimed analog delay pedal players now have the ability to control delay time via an expression pedal input, footswitch between two independent delay times: one set via the Delay knob, the other set using the tap tempo footswitch function. In addition, we've added a dotted 8th note setting for producing 'U2 style' rhythmic delays.
In addition to the top mounted controls there are two user adjustable internal controls (delay time and LFO wave shape) that allow for fine tuning of the chorus from deep and syrupy to light and airy and all points in between.
The stereo ins and outs with independent pitch and phase modulation signal paths allow for a wide variety of parallel and serial configuration options.
The Diamond Compressor is our take on a 'guitar channel'
- a dynamics and tone shaping tool for live and studio use - with low-noise, ultra-linear signal buffering, smooth opto-based compression, and a versatile 'tilt' EQ that musically shifts overall frequency balance.
All in a user-friendly 3-control package - just Comp, EQ and Volume.
In the clean boost section, the Mk3 has an independently switchable clean boost consisting of a Vishay JFET and BJT clean boost.
Borrowing from the limited edition J-Drive TR, we've also added a cool transformer output stage to the overdrive section - it has a wonderful smoothing effect on the upper mids and highs, placing an inductive source impedance at the amps input as a guitar's pickup would (but at a lower output impedance so it works great into other pedals as well as amps).
Our 'Close Asymmetry' overdrive circuit utilizes a Schottky barrier diode for smooth asymmetrical clipping - which combined with the transformer output gives a liquid smooth sustain with punch. The 'Warmth' control offers a unique tonal control adding low end gain while simultaneously cutting top end- perfect for warming up a bright amp or guitar. We've also added a toggle switchable high frequency shelf filter to add extra 'bite' when needed..
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